{"id":139,"date":"2007-07-25T21:06:00","date_gmt":"2007-07-25T21:06:00","guid":{"rendered":"http:\/\/wordpress.nojo.fr\/?p=139"},"modified":"2007-07-25T21:06:00","modified_gmt":"2007-07-25T21:06:00","slug":"20070725200-concert-de-wayne-shorter","status":"publish","type":"post","link":"http:\/\/blog.nojo.fr\/index.php\/2007\/07\/25\/20070725200-concert-de-wayne-shorter\/","title":{"rendered":"Concert de Wayne Shorter"},"content":{"rendered":"

\"Wayne_Shorter_juillet_2007\"<\/a><\/p>\n

Concert de Wayne Shorter<\/a> \u00e0 l’Auditori<\/a> \u00e0 Barcelone<\/a>. Est-il musicien plus fascinant que Wayne Shorter<\/strong> ? Dans une carri\u00e8re qui s’\u00e9tend sur pr\u00e8s d’un demi-si\u00e8cle, \u00e0 combien de moments d\u00e9cisifs de l’histoire de la musique le saxophoniste aura-t-il particip\u00e9 sans jamais appara\u00eetre comme un chef de file ? Du hard-bop des Jazz Messengers jusqu’\u00e0 son quartette juv\u00e9nile des ann\u00e9es 2000, du \u00ab second quintette \u00bb de Miles Davis \u00e0 l’univers synth\u00e9tique et m\u00e9tiss\u00e9 de Weather Report, Wayne Shorter<\/strong> est demeur\u00e9 lui-m\u00eame en ne cessant de s’immerger dans des contextes diff\u00e9rents.
\n
\nDot\u00e9 d’un solide bagage th\u00e9orique acquis \u00e0 la New York University, Wayne Shorter<\/strong> s’est d’abord forg\u00e9 une r\u00e9putation au sein de la communaut\u00e9 des musiciens, au point d’\u00e9merger d\u00e8s ses d\u00e9buts professionnels en 1959, dans l’un des meilleurs groupes du moment : les Jazz Messengers. Pendant cinq ans, il s’impose comme un compositeur de th\u00e8mes originaux qui renouvelle le r\u00e9pertoire de la formation d’Art Blakey mais surtout, comme un saxophoniste t\u00e9nor dont la d\u00e9marche pr\u00e9sente des similarit\u00e9s avec celle de John Coltrane qu’il fr\u00e9quente r\u00e9guli\u00e8rement. Son jeu v\u00e9h\u00e9ment, tumultueux et tr\u00e8s contrast\u00e9 de \u00ab jeune homme en col\u00e8re \u00bb (comme on disait alors) est rendu caract\u00e9ristique par une sonorit\u00e9 aux ponctuations fauves ( falsetto , notes \u00e9trangl\u00e9es, raucit\u00e9 l\u00e9g\u00e8re du timbre).<\/p>\n

Au contact de Miles Davis et des membres de son quintette (Herbie Hancock, Ron Carter, Tony Williams) qu’il rejoint en 1964, Wayne Shorter<\/strong> acquiert un sens de l’espace et du temps, du vide et du silence, qui lui permet d’explorer les possibilit\u00e9s suggestives d’un groupe dont l’interactivit\u00e9 et la r\u00e9activit\u00e9 internes sont certains des mots-cl\u00e9s. A mesure que Miles Davis explore les possibilit\u00e9s offertes par l’int\u00e9gration d’instruments \u00e9lectriques, la pens\u00e9e de Shorter \u00e9volue vers des pr\u00e9occupations moins formelles que coloristes. L’int\u00e9r\u00eat qu’il pr\u00eate alors au saxophone soprano et aux musiques extra-jazzistiques le conduit \u00e0 organiser la musique en sons, en voix enchev\u00eatr\u00e9es, en timbres fondus. Associ\u00e9 \u00e0 Joe Zawinul, pionnier des synth\u00e9tiseurs, il cr\u00e9e, en 1971, Weather Report, groupe phare de la p\u00e9riode fusion. Le saxophoniste s’y r\u00e9v\u00e8le de plus en plus concis, soucieux d’agencements color\u00e9s et de m\u00e9lodies \u00e9nigmatiques qui s’enrichissent des rythmes que la diaspora africaine a essaim\u00e9 de par le monde (en t\u00e9moignent aussi ses collaborations post\u00e9rieures avec Milton Nascimiento et Salif Keita).<\/p>\n

Sa carri\u00e8re oscille alors entre la tentation r\u00e9trospective (tourn\u00e9e avec le groupe VSOP dans les ann\u00e9es 1970 ; projet \u00ab Tribute to Miles \u00bb en 1992) et la poursuite d’une musique orchestrale de caract\u00e8re souvent cin\u00e9matographique qui fait appel aux ressources \u00e9lectroniques (l’album \u00ab Atlantis \u00bb ou encore \u00ab High Life \u00bb, con\u00e7u avec Rachel Z) ou pas (collaboration avec les orchestres symphoniques de Detroit et de Lyon), Wayne Shorter<\/strong> faisant souvent allusion \u00e0 sa conviction que le temps est, \u00e0 ses yeux, sans lin\u00e9arit\u00e9 aucune. Plus elliptique que jamais, l’art de Wayne Shorter<\/strong> atteint \u00e0 une quintessence, une conscience aigu\u00eb des structures qui en deviennent sous-entendues, qui donnent l’illusion qu’accompagnement et solo se d\u00e9tachent l’un de l’autre jusqu’\u00e0 l’autonomie compl\u00e8te.<\/p>\n

Alors que toute une g\u00e9n\u00e9ration de saxophonistes red\u00e9couvre l’originalit\u00e9 de son lyrisme et l’audace de ses conceptions harmoniques des ann\u00e9es 1960, Shorter<\/strong> s’entoure d’un quartette (Danilo Perez<\/a> au piano,\u00a0John Patitucci<\/a>\u00a0 \u00e0 la contrebasse,\u00a0Brian Blade<\/a> \u00e0 la batterie) qui bouleverse les r\u00e8gles par son fonctionnement \u00e9galitariste et s’impose avec une insolence juv\u00e9nile comme l’un des groupes parmi les plus captivants du d\u00e9but du XXIe si\u00e8cle. Vincent Bessi\u00e8res<\/p>\n","protected":false},"excerpt":{"rendered":"

[((\/dotclear\/\/images\/serge\/2007-07\/mini_Wayne_Shorter_juillet_2007.jpg||G))|\/dotclear\/\/images\/serge\/2007-07\/Wayne_Shorter_juillet_2007.jpg] [((\/dotclear\/public\/Concerts\/.Wayne_Shorter_juillet_2007_s.jpg|Wayne_Shorter_juillet_2007.jpg|L))|\/dotclear\/public\/Concerts\/Wayne_Shorter_juillet_2007.jpg] Concert de [Wayne Shorter|http:\/\/fr.wikipedia.org\/wiki\/Wayne_Shorter|fr] \u00e0 [l’Auditori|http:\/\/www.auditori.com\/index.aspx|fr] \u00e0 [Barcelone|http:\/\/fr.wikipedia.org\/wiki\/Barcelone|fr]. Est-il musicien plus fascinant que Wayne Shorter ? Dans une carri\u00e8re qui s’\u00e9tend sur pr\u00e8s d’un demi-si\u00e8cle, \u00e0 combien de moments d\u00e9cisifs de l’histoire de la musique le saxophoniste aura-t-il particip\u00e9 sans jamais appara\u00eetre comme un chef de file ? Du hard-bop des Jazz Messengers jusqu’\u00e0 son quartette juv\u00e9nile des ann\u00e9es 2000, du \u00ab second quintette \u00bb de Miles Davis \u00e0 l’univers synth\u00e9tique et m\u00e9tiss\u00e9 de Weather Report, Wayne Shorter est demeur\u00e9 lui-m\u00eame en ne cessant de s’immerger dans des contextes diff\u00e9rents.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wikipediapreview_detectlinks":true,"ngg_post_thumbnail":0,"footnotes":""},"categories":[5],"tags":[24,31,33,43],"class_list":["post-139","post","type-post","status-publish","format-standard","hentry","category-concert","tag-amis","tag-concert","tag-espagne","tag-musique"],"yoast_head":"\nConcert de Wayne Shorter - Le blog de Sergiodadi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/blog.nojo.fr\/index.php\/2007\/07\/25\/20070725200-concert-de-wayne-shorter\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Concert de Wayne Shorter - Le blog de Sergiodadi\" \/>\n<meta property=\"og:description\" content=\"[((\/dotclear\/\/images\/serge\/2007-07\/mini_Wayne_Shorter_juillet_2007.jpg||G))|\/dotclear\/\/images\/serge\/2007-07\/Wayne_Shorter_juillet_2007.jpg] [((\/dotclear\/public\/Concerts\/.Wayne_Shorter_juillet_2007_s.jpg|Wayne_Shorter_juillet_2007.jpg|L))|\/dotclear\/public\/Concerts\/Wayne_Shorter_juillet_2007.jpg] Concert de [Wayne Shorter|http:\/\/fr.wikipedia.org\/wiki\/Wayne_Shorter|fr] \u00e0 [l'Auditori|http:\/\/www.auditori.com\/index.aspx|fr] \u00e0 [Barcelone|http:\/\/fr.wikipedia.org\/wiki\/Barcelone|fr]. 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Est-il musicien plus fascinant que Wayne Shorter ? Dans une carri\u00e8re qui s'\u00e9tend sur pr\u00e8s d'un demi-si\u00e8cle, \u00e0 combien de moments d\u00e9cisifs de l'histoire de la musique le saxophoniste aura-t-il particip\u00e9 sans jamais appara\u00eetre comme un chef de file ? 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