{"id":16434,"date":"2020-03-05T23:51:45","date_gmt":"2020-03-05T23:51:45","guid":{"rendered":"http:\/\/blog.nojo.fr\/?p=16434"},"modified":"2020-03-05T23:51:45","modified_gmt":"2020-03-05T23:51:45","slug":"concert-de-emmanuelle-bertrand-j-s-bach-suites-pour-violoncelle","status":"publish","type":"post","link":"http:\/\/blog.nojo.fr\/index.php\/2020\/03\/05\/concert-de-emmanuelle-bertrand-j-s-bach-suites-pour-violoncelle\/","title":{"rendered":"Concert de Emmanuelle Bertrand : J.S. Bach \u2013 Suites pour violoncelle"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16436\" src=\"http:\/\/blog.nojo.fr\/wp-content\/uploads\/2020\/03\/fullsizeoutput_a76f-300x217.jpeg\" alt=\"Concert\" width=\"300\" height=\"217\"><\/p>\n<p>Concert de <em>Emmanuelle Bertrand<\/em> : <strong>J.S. Bach<\/strong> \u2013 Suites pour violoncelle n\u00b0 3 BWV 1009 \u2013 n\u00b0 1 BWV 1007 \u2013 n\u00b0 5 BWV 1011 dans la cath\u00e9drale Sainte R\u00e9parate \u00e0 Nice<\/p>\n<p><strong>Emmanuelle Bertrand<\/strong><br \/>\nRe\u0301ve\u0301le\u0301e au grand public par une <strong>Victoire de la Musique en 2002<\/strong>,<em> Emmanuelle Bertrand<\/em> a \u00e9t\u00e9 \u00e9lue Artiste de l\u2019ann\u00e9e 2011 par le magazine Diapason et les auditeurs de France Musique (Diapason d\u2019Or de l\u2019anne\u0301e pour son disque Le violoncelle parle). En 2017 l\u2019Acade\u0301mie des Beaux-Arts lui d\u00e9cerne le prestigieux Prix d\u2019Interpre\u0301tation Simone et Cino Del Duca.<\/p>\n<p><!--more--><\/p>\n<p>ngg_shortcode_0_placeholderForme\u0301e aux CNSM de Lyon et Paris, elle rec\u0327oit de nombreuses distinctions: <strong>laure\u0301ate du Concours International Rostropovitch<\/strong>, Premier Prix du Concours de Musique de Chambre du Japon, Prix de l\u2019Acade\u0301mie Internationale Maurice Ravel\u2026<\/p>\n<p>D\u00e8s 1999, elle travaille avec le compositeur <em>Henri Dutilleux<\/em> qui parle d\u2019elle comme d\u2019une \u00ab ve\u0301ritable re\u0301ve\u0301lation \u00bb. Elle est de\u0301dicataire d\u2019oeuvres de Nicolas Bacri, E\u0301dith Canat de Chizy, Pascal Amoyel, Bernard Cavanna ou Thierry Escaich. Elle a e\u0301galement donne\u0301 en premi\u00e8re mondiale Chanson pour Pierre Boulez de Luciano Berio.<\/p>\n<p>Passionne\u0301e de musique de chambre, elle forme un duo avec le pianiste Pascal Amoyel et enregistre une dizaine de disques \u00e0 ses c\u00f4t\u00e9s. En 2017 elle fonde le Stimmung Trio avec le violoniste Christophe Giovaninetti et le pianiste Micha\u00ebl L\u00e9vinas.<\/p>\n<p>En tant que soliste, on a pu l\u2019entendre notamment avec l\u2019Orchestre Symphonique de Lucerne, du Grand Montre\u0301al, l\u2019Orchestre National d\u2019Ukraine, le BBC National Orchestra of Wales\u2026<\/p>\n<p><strong>Les Suites pour violoncelle de J.S. Bach<\/strong><br \/>\nL\u2019enregistrement de l\u2019int\u00e9grale des suites par <em>Emmanuelle Bertrand<\/em> est paru en octobre 2019 chez Harmonia Mundi.<\/p>\n<p>La presse pl\u00e9biscite cette int\u00e9grale d\u00e9j\u00e0 aur\u00e9ol\u00e9e d\u2019un Troph\u00e9e Radio Classique et d\u2019un Gramophone Editor\u2019s Choice :<\/p>\n<p>\u2219\u201dD\u00e8s les premi\u00e8res notes, la pl\u00e9nitude du son frappe l\u2019oreille (\u2026) La finesse du phras\u00e9 nous guide dans les m\u00e9andres de l\u2019oeuvre, mais sans affectation. L\u2019interpr\u00e8te s\u2019efface devant le chef-d\u2019oeuvre pour mieux le mettre en valeur. Une attention constante est port\u00e9e \u00e0 la polyphonie\u201d RadioClassique<\/p>\n<p>\u2219\u201d\u00c0 n\u2019en pas douter, elle et son instrument ont l\u2019\u00e9loquence et le souffle des conteurs d\u2019\u00e9pop\u00e9e donton ne l\u00e2che pas une seconde le r\u00e9cit\u201d La Vie<\/p>\n<p>\u2219\u201dUne interpr\u00e9tation pleine d\u2019\u00e9motion et pleine de vie\u201d France Musique<\/p>\n<p>\u2219\u201dUn album sur lequel ne p\u00e8se aucune convention (\u2026) il y a l\u00e0 une verdeur de ton que nous ne connaissons gu\u00e8re, dans une tout autre optique, que sous l\u2019archet du regrett\u00e9 Anner Bylsma oude Pablo Casals\u201d Diapason<\/p>\n<p>\u2219\u201c<em>Emmanuelle Bertrand<\/em> a r\u00e9ussi \u00e0 m\u00e9nager le grain du son, la densit\u00e9 du bois, l\u2019\u00e9lan chor\u00e9graphique et la contemplation \u00ab sans rien (\u2026) qui p\u00e8se ou qui pose \u00bb\u201d Classica<\/p>\n<p>\u2219\u201cI have to say that the results are pretty sensational (\u2026) She has a rich palette at her disposal and wastes no opportunity to use it. (\u2026) I think what most appeals to me is the degree of varied shading that Bertrand achieves by illuminating chords from within\u201d Gramophone<\/p>\n<p>[source: les moments musicaux]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Concert de Emmanuelle Bertrand : J.S. Bach \u2013 Suites pour violoncelle n\u00b0 3 BWV 1009 \u2013 n\u00b0 1 BWV 1007 \u2013 n\u00b0 5 BWV 1011 dans la cath\u00e9drale Sainte R\u00e9parate \u00e0 Nice Emmanuelle Bertrand Re\u0301ve\u0301le\u0301e au grand public par une Victoire de la Musique en 2002, Emmanuelle Bertrand a \u00e9t\u00e9 \u00e9lue Artiste de l\u2019ann\u00e9e 2011 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wikipediapreview_detectlinks":true,"ngg_post_thumbnail":0,"footnotes":""},"categories":[5,11],"tags":[31,43,44],"class_list":["post-16434","post","type-post","status-publish","format-standard","hentry","category-concert","category-musique","tag-concert","tag-musique","tag-nice"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Concert de Emmanuelle Bertrand : J.S. 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