{"id":22452,"date":"2021-07-17T18:27:09","date_gmt":"2021-07-17T16:27:09","guid":{"rendered":"http:\/\/blog.nojo.fr\/?p=22452"},"modified":"2021-07-17T18:27:09","modified_gmt":"2021-07-17T16:27:09","slug":"visite-de-lexposition-cent-portraits-pour-un-siecle","status":"publish","type":"post","link":"http:\/\/blog.nojo.fr\/index.php\/2021\/07\/17\/visite-de-lexposition-cent-portraits-pour-un-siecle\/","title":{"rendered":"Visite de l’exposition “Cent portraits pour un si\u00e8cle”"},"content":{"rendered":"

\"Palais<\/h2>\n

Pr\u00e9sentation de l’exposition<\/h2>\n

Au XVIIIe si\u00e8cle, l\u2019Acad\u00e9mie royale de peinture et de sculpture \u00e9tablit la hi\u00e9rarchie des genres et place le portrait, tr\u00e8s en vogue alors, juste apr\u00e8s le sujet d\u2019histoire. Des artistes officiels r\u00e9alisent les effigies des rois r\u00e9gnant, Louis XV, Louis XVI, et de la famille royale, tandis que divers personnages de la cour, de la ville ou de province, en qu\u00eate de reconnaissance sociale, s\u2019adressent \u00e0 des portraitistes plus accessibles.<\/p>\n

<\/p>\nngg_shortcode_0_placeholder\n

Les tableaux des fameux Van Loo, Elisabeth Vig\u00e9e Le Brun, Duplessis, Ducreux <\/strong>et des nombreux autres artistes que pr\u00e9sente le Palais Lascaris<\/a>, cent au total, tous pr\u00eat\u00e9s par le Conservatoire du Portrait du Dix-Huiti\u00e8me Si\u00e8cle, d\u00e9peignent ainsi la soci\u00e9t\u00e9 d\u2019un si\u00e8cle et viennent offrir au public ni\u00e7ois une superbe d\u00e9monstration de peinture et de l\u2019art du portrait.<\/strong><\/p>\n

L\u2019exposition pr\u00e9c\u00e9demment pr\u00e9sent\u00e9e au Mus\u00e9e Lambinet de Versailles prend une saveur particuli\u00e8re au sein de ce pr\u00e9cieux palais baroque. Le Palais Lascaris a en effet \u00e9t\u00e9 \u00e9rig\u00e9 au XVIIe si\u00e8cle par la volont\u00e9 de Jean-Paul Lascaris, Grand Ma\u00eetre de l\u2019Ordre de Malte, pour son neveu Jean Baptiste Lascaris, et a constitu\u00e9, du milieu du XVIIe si\u00e8cle \u00e0 la fin du XVIIIe si\u00e8cle, la demeure priv\u00e9e de l\u2019aristocratique famille Lascaris Vintimille.<\/strong> Situ\u00e9 au c\u0153ur de la ville, entre palais ducal et palais communal, le Palais Lascaris fut le t\u00e9moin de fastueux \u00e9pisodes li\u00e9s \u00e0 l\u2019histoire du Comt\u00e9 de Nice.<\/p>\n

Un dialogue entre les oeuvres emprunt\u00e9es et la collection permanente<\/h3>\n

Les \u0153uvres emprunt\u00e9es viennent discuter avec celles de la collection permanente : effigies des ducs de Savoie et des Lascaris<\/strong>, portraits de la Clementina<\/strong>, peintre de la cour de Turin<\/strong>, objets d\u2019art<\/strong>, tels ceux qui garnissaient les nobles demeures de l\u2019\u00e9poque, et instruments de musique<\/strong>. Parmi ceux que le mus\u00e9e conserve depuis plusieurs ann\u00e9es, sont mis en \u00e9vidence dans l\u2019exposition les instruments jou\u00e9s par les membres de la famille royale<\/strong>, la reine Marie Lesczynska, Madame Henriette, Madame Ad\u00e9la\u00efde, Madame Victoire, la reine Marie-Antoinette : vielles \u00e0 roue, de Lambert (inv. C378) ou de Louvet (D\u00e9p\u00f4t collection-Fondation Gis\u00e8le Tissier Grandpierre), basse de viole (inv. C35), violons, guitares baroques, mandolines, ainsi que, face au portrait de Marie-Antoinette, une harpe Naderman, son instrument f\u00e9tiche ; le mus\u00e9e est riche de plusieurs exemplaires de harpes du facteur Naderman (harpe inv. PL 2007.9.1 et harpes de la collection-Fondation Gis\u00e8le Tissier Grandpierre de l\u2019Institut de France).<\/p>\n","protected":false},"excerpt":{"rendered":"

Pr\u00e9sentation de l’exposition Au XVIIIe si\u00e8cle, l\u2019Acad\u00e9mie royale de peinture et de sculpture \u00e9tablit la hi\u00e9rarchie des genres et place le portrait, tr\u00e8s en vogue alors, juste apr\u00e8s le sujet d\u2019histoire. Des artistes officiels r\u00e9alisent les effigies des rois r\u00e9gnant, Louis XV, Louis XVI, et de la famille royale, tandis que divers personnages de la […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wikipediapreview_detectlinks":true,"ngg_post_thumbnail":0,"footnotes":""},"categories":[10],"tags":[34,42,44],"class_list":["post-22452","post","type-post","status-publish","format-standard","hentry","category-musee","tag-exposition","tag-musee","tag-nice"],"yoast_head":"\nVisite de l'exposition "Cent portraits pour un si\u00e8cle" - Le blog de Sergiodadi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/blog.nojo.fr\/index.php\/2021\/07\/17\/visite-de-lexposition-cent-portraits-pour-un-siecle\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Visite de l'exposition "Cent portraits pour un si\u00e8cle" - Le blog de Sergiodadi\" \/>\n<meta property=\"og:description\" content=\"Pr\u00e9sentation de l’exposition Au XVIIIe si\u00e8cle, l\u2019Acad\u00e9mie royale de peinture et de sculpture \u00e9tablit la hi\u00e9rarchie des genres et place le portrait, tr\u00e8s en vogue alors, juste apr\u00e8s le sujet d\u2019histoire. 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