{"id":281,"date":"2009-07-20T20:00:00","date_gmt":"2009-07-20T20:00:00","guid":{"rendered":"http:\/\/wordpress.nojo.fr\/?p=281"},"modified":"2009-07-20T20:00:00","modified_gmt":"2009-07-20T20:00:00","slug":"20081202lester-young-in-washington-dc-vol1-a-4","status":"publish","type":"post","link":"http:\/\/blog.nojo.fr\/index.php\/2009\/07\/20\/20081202lester-young-in-washington-dc-vol1-a-4\/","title":{"rendered":"Lester Young “in Washington DC Vol 1 \u00e0 4”"},"content":{"rendered":"

\"Lester_Young_in_Washington_DC__vol._2\"<\/a><\/p>\n

Lester Young<\/strong> ne fut pas surnomm\u00e9 “Prez” pour rien : il fut en effet l’un des musiciens de Jazz les plus influents de tous les temps, tant par son jeu r\u00e9volutionnaire que par sa personnalit\u00e9. D\u00e8s ses premiers engagements avec Count Basie, \u00e0 une \u00e9poque o\u00f9 le jeu agressif et puissant de Coleman Hawkins d\u00e9finissait le son des saxophonistes de jazz, Young lui opposa des solos a\u00e9riens, semblant flotter sur le tempo de l’orchestre, tels des volutes de fum\u00e9e. Sa connaissance profonde de l’harmonie, tr\u00e8s rare \u00e0 l’\u00e9poque – il n’y avait pas d’\u00e9coles de jazz ! – lui permettait d’improviser dans toutes les situations, et il \u00e9tait connu pour ne jamais se r\u00e9p\u00e9ter d’un solo sur l’autre, ce qui constitue l’id\u00e9al absolu d’un musicien de Jazz. Restant totalement au service de la chanson – il affirmait qu’on devait pouvoir “entendre” les paroles dans la m\u00e9lodie instrumentale, Young fut une influence majeure pour nombre de musiciens de son \u00e9poque qui r\u00eavaient d’un Jazz plus doux et \u00e9l\u00e9gant, s’opposant entre autres au be-bop. Ce fut notamment le cas du mouvement “Cool Jazz” des ann\u00e9es 1950, institu\u00e9 par Miles Davis.
\n
\nSi Lester Young<\/strong> \u00e9tait un musicien extr\u00eamement original, sa vie elle-m\u00eame n’est pas en reste. Personnage excentrique, il aimait \u00e0 parler de mani\u00e8re cod\u00e9e pour n’\u00eatre compris que de son cercle d’amis et impressionner les autres, et \u00e0 s’habiller de mani\u00e8re originale – il ne quittait presque jamais son fameux chapeau “Pork Pie Hat”. Lester Young reste aujourd’hui connu pour avoir \u00e9t\u00e9 le premier d’un longue lign\u00e9e de jazzmen originaux \u00e0 forte personnalit\u00e9. Cette influence s’\u00e9tend sur le monde du jazz tout entier, \u00e0 commencer par Charlie Parker et Dizzy Gillespie, qui furent tous deux de grands fans du “Pr\u00e9sident” (Wikipedia).<\/p>\n","protected":false},"excerpt":{"rendered":"

[((\/dotclear\/public\/Disques\/Y\/.Lester_Young_in_Washington_DC__vol._2_m.jpg|Lester_Young_in_Washington_DC__vol._2.jpg||Lester_Young_in_Washington_DC__vol._2.jpg, d\u00e9c. 2008))|\/dotclear\/public\/Disques\/Y\/Lester_Young_in_Washington_DC__vol._2.jpg] Lester Young ne fut pas surnomm\u00e9 “Prez” pour rien : il fut en effet l’un des musiciens de Jazz les plus influents de tous les temps, tant par son jeu r\u00e9volutionnaire que par sa personnalit\u00e9. D\u00e8s ses premiers engagements avec Count Basie, \u00e0 une \u00e9poque o\u00f9 le jeu agressif et puissant de Coleman Hawkins d\u00e9finissait le son des saxophonistes de jazz, Young lui opposa des solos a\u00e9riens, semblant flotter sur le tempo de l’orchestre, tels des volutes de fum\u00e9e. Sa connaissance profonde de l’harmonie, tr\u00e8s rare \u00e0 l’\u00e9poque – il n’y avait pas d’\u00e9coles de jazz ! – lui permettait d’improviser dans toutes les situations, et il \u00e9tait connu pour ne jamais se r\u00e9p\u00e9ter d’un solo sur l’autre, ce qui constitue l’id\u00e9al absolu d’un musicien de Jazz. Restant totalement au service de la chanson – il affirmait qu’on devait pouvoir “entendre” les paroles dans la m\u00e9lodie instrumentale, Young fut une influence majeure pour nombre de musiciens de son \u00e9poque qui r\u00eavaient d’un Jazz plus doux et \u00e9l\u00e9gant, s’opposant entre autres au be-bop. Ce fut notamment le cas du mouvement “Cool Jazz” des ann\u00e9es 1950, institu\u00e9 par Miles Davis.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wikipediapreview_detectlinks":true,"ngg_post_thumbnail":0,"footnotes":""},"categories":[11],"tags":[43],"class_list":["post-281","post","type-post","status-publish","format-standard","hentry","category-musique","tag-musique"],"yoast_head":"\nLester Young "in Washington DC Vol 1 \u00e0 4" - Le blog de Sergiodadi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/blog.nojo.fr\/index.php\/2009\/07\/20\/20081202lester-young-in-washington-dc-vol1-a-4\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lester Young "in Washington DC Vol 1 \u00e0 4" - Le blog de Sergiodadi\" \/>\n<meta property=\"og:description\" content=\"[((\/dotclear\/public\/Disques\/Y\/.Lester_Young_in_Washington_DC__vol._2_m.jpg|Lester_Young_in_Washington_DC__vol._2.jpg||Lester_Young_in_Washington_DC__vol._2.jpg, d\u00e9c. 2008))|\/dotclear\/public\/Disques\/Y\/Lester_Young_in_Washington_DC__vol._2.jpg] Lester Young ne fut pas surnomm\u00e9 "Prez" pour rien : il fut en effet l'un des musiciens de Jazz les plus influents de tous les temps, tant par son jeu r\u00e9volutionnaire que par sa personnalit\u00e9. D\u00e8s ses premiers engagements avec Count Basie, \u00e0 une \u00e9poque o\u00f9 le jeu agressif et puissant de Coleman Hawkins d\u00e9finissait le son des saxophonistes de jazz, Young lui opposa des solos a\u00e9riens, semblant flotter sur le tempo de l'orchestre, tels des volutes de fum\u00e9e. Sa connaissance profonde de l'harmonie, tr\u00e8s rare \u00e0 l'\u00e9poque - il n'y avait pas d'\u00e9coles de jazz ! - lui permettait d'improviser dans toutes les situations, et il \u00e9tait connu pour ne jamais se r\u00e9p\u00e9ter d'un solo sur l'autre, ce qui constitue l'id\u00e9al absolu d'un musicien de Jazz. Restant totalement au service de la chanson - il affirmait qu'on devait pouvoir "entendre" les paroles dans la m\u00e9lodie instrumentale, Young fut une influence majeure pour nombre de musiciens de son \u00e9poque qui r\u00eavaient d'un Jazz plus doux et \u00e9l\u00e9gant, s'opposant entre autres au be-bop. 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Le blog de Sergiodadi","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/blog.nojo.fr\/index.php\/2009\/07\/20\/20081202lester-young-in-washington-dc-vol1-a-4\/","og_locale":"fr_FR","og_type":"article","og_title":"Lester Young \"in Washington DC Vol 1 \u00e0 4\" - Le blog de Sergiodadi","og_description":"[((\/dotclear\/public\/Disques\/Y\/.Lester_Young_in_Washington_DC__vol._2_m.jpg|Lester_Young_in_Washington_DC__vol._2.jpg||Lester_Young_in_Washington_DC__vol._2.jpg, d\u00e9c. 2008))|\/dotclear\/public\/Disques\/Y\/Lester_Young_in_Washington_DC__vol._2.jpg] Lester Young ne fut pas surnomm\u00e9 \"Prez\" pour rien : il fut en effet l'un des musiciens de Jazz les plus influents de tous les temps, tant par son jeu r\u00e9volutionnaire que par sa personnalit\u00e9. 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